When a gunman opens fire on a crowded city bus in San Francisco, Detective Dave Evans is killed, along with the man he'd been following in relation to a murder. Evans' partner, Sgt. Jake Martin, becomes obsessed with solving the case.

A cop chasing after a female cop killer, but then gets caught in a dark web of departmental corruption.

A musical set during the French Revolution.

A funny remake of "The Prisoner" - with a 1980's twist to it 'The Laughing Prisoner' is a remake (or homage) of (to) the Kafkaesque 1960's television show 'The Prisoner' with Patrick McGoohan in the lead role. This time it is a successful television presenter (Jools Holland) who decides to quit at the height of his stardom. He is abducted from his apartment and brought to the village, where number 2 (a young Stephen Fry) is questioning him. The whole show has a cosy 1980's feel to it, with several bands from that period performing their music.

Two grown brothers return home for their widowed mother's birthday, only to find themselves competing with a strange man for her affection.

Comedians come together for an honest look and real conversations about comedy + mental health because when the cost of bringing others joy is your own joy...the cost is too high.

Comedians come together for an honest look and real conversations about comedy + mental health because when the cost of bringing others joy is your own joy...the cost is too high.

Explores the life and personal struggles of a police head constable.

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

When the British Amnesty shows finally resumed in 1987 after a six-year hiatus, the show format was retooled in an effort to take advantage of the growing number of rock musicians supporting Amnesty. Instead of the live show being primarily a comedy show with a few musical cameos, the event made a point of giving equal emphasis to the comedy and the music.